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  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 010.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 009.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 016.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 008.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 006.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 004.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 014.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 013.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 011.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 007.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 003.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 001.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 012.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 002.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 015.tif
  • Tennessean Lamar Alexander makes his first run for governor of Tennessee by crisscrossing the state in his red and black plaid shirt and his down home, man of the people manner. 1979
    Lamar Alexander 005.tif
  • Maria Sharapova (RUS) defeated K. Knapp (ITA) 6-3, 4-6, 10-8 at Melbourne's Rod Laver Arena in Day 4 of the 2014 Australian Open.
    Maria Sharapova 083.jpg
  • Maria Sharapova (RUS) defeated K. Knapp (ITA) 6-3, 4-6, 10-8 at Melbourne's Rod Laver Arena in Day 4 of the 2014 Australian Open.
    Maria Sharapova 074.jpg
  • Maria Sharapova (RUS) defeated K. Knapp (ITA) 6-3, 4-6, 10-8 at Melbourne's Rod Laver Arena in Day 4 of the 2014 Australian Open.
    Maria Sharapova 070.jpg
  • Maria Sharapova (RUS) faced K. Knapp (ITA) during Australian Open day 4 play . Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 050.jpg
  • Maria Sharapova (RUS) faced K. Knapp (ITA) during Australian Open day 4 play . Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 048.jpg
  • Maria Sharapova (RUS) faced A. Cornet (FRA) in Women's Singles action in Day Six of the Australian Open. Sharapova won the morning match 6-1, 7-6 (6) at Melbourne's Rod Laver Arena.
    Maria Sharapova 040.jpg
  • Maria Sharapova (RUS) faced A. Cornet (FRA) in Women's Singles action in Day Six of the Australian Open. Sharapova won the morning match 6-1, 7-6 (6) at Melbourne's Rod Laver Arena.
    Maria Sharapova 030.jpg
  • Maria Sharapova (RUS) has fallen to D. Cibulkova (SVK). Cibulkova has advanced to her first Australian Open quarterfinal in a surprise win over third seed Maria Sharapova 3-6 6-4 6-1 at Rod Laver Arena on Monday.<br />
<br />
In falling to the Slovakian 20th seed, Sharapova became the second high-profile player to exit the women's draw in less than 24 hours, after world No.1 Serena Williams was dumped out by Ana Ivanovic at the same venue yesterday.
    Maria Sharapova 018.jpg
  • Maria Sharapova (RUS) has fallen to D. Cibulkova (SVK). Cibulkova has advanced to her first Australian Open quarterfinal in a surprise win over third seed Maria Sharapova 3-6 6-4 6-1 at Rod Laver Arena on Monday.<br />
<br />
In falling to the Slovakian 20th seed, Sharapova became the second high-profile player to exit the women's draw in less than 24 hours, after world No.1 Serena Williams was dumped out by Ana Ivanovic at the same venue yesterday.
    Maria Sharapova 011.jpg
  • Serena Williams (USA) fell to A. Ivanovic (SRB) in the fourth round of the Australian Open Women's Singles. Williams, the number one tournament seed and number one women's player in the world struggled early on with her game. Ivanovic won 6-4, 3-6, 3-6 at Melbourne's Rod Laver Arena. Serena Williams at play in the Australian Open in Melbourne, Victoria, Australia
    HAWKINS_WilliamsIvanovic-35.jpg
  • Serena Williams (USA) fell to A. Ivanovic (SRB) in the fourth round of the Australian Open Women's Singles. Williams, the number one tournament seed and number one women's player in the world struggled early on with her game. Ivanovic won 6-4, 3-6, 3-6 at Melbourne's Rod Laver Arena. Serena Williams at play in the Australian Open in Melbourne, Victoria, Australia
    HAWKINS_WilliamsIvanovic-33.jpg
  • Serena Williams (USA) fell to A. Ivanovic (SRB) in the fourth round of the Australian Open Women's Singles. Williams, the number one tournament seed and number one women's player in the world struggled early on with her game. Ivanovic won 6-4, 3-6, 3-6 at Melbourne's Rod Laver Arena. Serena Williams at play in the Australian Open in Melbourne, Victoria, Australia
    HAWKINS_WilliamsIvanovic-28.jpg
  • Serena Williams (USA) fell to A. Ivanovic (SRB) in the fourth round of the Australian Open Women's Singles. Williams, the number one tournament seed and number one women's player in the world struggled early on with her game. Ivanovic won 6-4, 3-6, 3-6 at Melbourne's Rod Laver Arena. Serena Williams at play in the Australian Open in Melbourne, Victoria, Australia
    HAWKINS_WilliamsIvanovic-4.jpg
  • Serena Williams (USA) defeated D. Hantuchova (SVK) 6-3, 6-3 in the third round of the 2014 Australian Open. Extreme heat warnings were in effect as the tournament moved into its fifth day in Melbourne. Serena Williams at play in the Australian Open in Melbourne, Victoria, Australia
    HAWKINS_WilliamsHantuchova-24.jpg
  • Serena Williams (USA) defeated D. Hantuchova (SVK) 6-3, 6-3 in the third round of the 2014 Australian Open. Extreme heat warnings were in effect as the tournament moved into its fifth day in Melbourne. Serena Williams at play in the Australian Open in Melbourne, Victoria, Australia
    HAWKINS_WilliamsHantuchova-1.jpg
  • Serena Williams (USA) defeated V. Dolonc (SRB) 6-1, 6-2 during day three play of the 2014 Australian Open. Temperatures in Melbourne's Rod Laver Arena are reaching 43 C /109.4 F in a predicted four day long heat wave to the southern coast of the continent. Serena Williams at play in the Australian Open in Melbourne, Victoria, Australia
    HAWKINS_WilliamsDolonc-6.jpg
  • http://hdl.loc.gov/loc.pnp/ppmsca.39872 The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0627.TIF
  • http://hdl.loc.gov/loc.pnp/ppmsca.39864 The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0614.TIF
  • http://hdl.loc.gov/loc.pnp/ppmsca.39862 The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0611.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0601.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0598.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0596.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0592.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0584.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0555.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0536.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0523.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0475.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0471.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0464.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0433.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0393.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0376.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0359.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0350.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0337.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0331.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0322.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0320.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0319.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0316.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0309.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0306.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0264.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0259.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0257.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0226.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0223.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0211.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0198.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0170.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0163.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0162.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0154.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0145.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0128.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0120.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0104.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0091.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0011.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0007.TIF
  • Maria Sharapova (RUS) defeated K. Knapp (ITA) 6-3, 4-6, 10-8 at Melbourne's Rod Laver Arena in Day 4 of the 2014 Australian Open.
    Maria Sharapova 088.jpg
  • Maria Sharapova (RUS) defeated K. Knapp (ITA) 6-3, 4-6, 10-8 at Melbourne's Rod Laver Arena in Day 4 of the 2014 Australian Open.
    Maria Sharapova 081.jpg
  • Maria Sharapova (RUS) defeated K. Knapp (ITA) 6-3, 4-6, 10-8 at Melbourne's Rod Laver Arena in Day 4 of the 2014 Australian Open.
    Maria Sharapova 077.jpg
  • Maria Sharapova (RUS) defeated K. Knapp (ITA) 6-3, 4-6, 10-8 at Melbourne's Rod Laver Arena in Day 4 of the 2014 Australian Open.
    Maria Sharapova 075.jpg
  • Maria Sharapova (RUS) defeated K. Knapp (ITA) 6-3, 4-6, 10-8 at Melbourne's Rod Laver Arena in Day 4 of the 2014 Australian Open.
    Maria Sharapova 073.jpg
  • Maria Sharapova (RUS) defeated K. Knapp (ITA) 6-3, 4-6, 10-8 at Melbourne's Rod Laver Arena in Day 4 of the 2014 Australian Open.
    Maria Sharapova 071.jpg
  • Maria Sharapova (RUS) faced K. Knapp (ITA) during Australian Open day 4 play . Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 067.jpg
  • Maria Sharapova (RUS) faced K. Knapp (ITA) during Australian Open day 4 play . Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 064.jpg
  • Maria Sharapova (RUS) faced K. Knapp (ITA) during Australian Open day 4 play . Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 062.jpg
  • Maria Sharapova (RUS) faced K. Knapp (ITA) during Australian Open day 4 play . Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 059.jpg
  • Maria Sharapova (RUS) chills with an ice vest and an ice collar down during Australian Open day 4 play against K. Knapp (GER). Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 054.jpg
  • Maria Sharapova (RUS) faced K. Knapp (ITA) during Australian Open day 4 play . Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 052.jpg
  • Maria Sharapova (RUS) faced K. Knapp (ITA) during Australian Open day 4 play . Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 046.jpg
  • Maria Sharapova (RUS) faced K. Knapp (ITA) during Australian Open day 4 play . Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 044.jpg
  • Maria Sharapova (RUS) faced K. Knapp (ITA) during Australian Open day 4 play . Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 042.jpg
  • Maria Sharapova (RUS) chills with an ice vest and an ice collar down during Australian Open day 4 play against K. Knapp (GER). Temperatures are at all time highs in Melbourne and expected to hit 44 C / 111.2 F today.
    Maria Sharapova 002.jpg
  • Maria Sharapova (RUS) faced A. Cornet (FRA) in Women's Singles action in Day Six of the Australian Open. Sharapova won the morning match 6-1, 7-6 (6) at Melbourne's Rod Laver Arena.
    Maria Sharapova 039.jpg
  • Maria Sharapova (RUS) faced A. Cornet (FRA) in Women's Singles action in Day Six of the Australian Open. Sharapova won the morning match 6-1, 7-6 (6) at Melbourne's Rod Laver Arena.
    Maria Sharapova 036.jpg
  • Maria Sharapova (RUS) faced A. Cornet (FRA) in Women's Singles action in Day Six of the Australian Open. Sharapova won the morning match 6-1, 7-6 (6) at Melbourne's Rod Laver Arena.
    Maria Sharapova 035.jpg
  • Maria Sharapova (RUS) faced A. Cornet (FRA) in Women's Singles action in Day Six of the Australian Open. Sharapova won the morning match 6-1, 7-6 (6) at Melbourne's Rod Laver Arena.
    Maria Sharapova 029.jpg
  • Maria Sharapova (RUS) faced A. Cornet (FRA) in Women's Singles action in Day Six of the Australian Open. Sharapova won the morning match 6-1, 7-6 (6) at Melbourne's Rod Laver Arena.
    Maria Sharapova 031.jpg
  • Maria Sharapova (RUS) has fallen to D. Cibulkova (SVK). Cibulkova has advanced to her first Australian Open quarterfinal in a surprise win over third seed Maria Sharapova 3-6 6-4 6-1 at Rod Laver Arena on Monday.<br />
<br />
In falling to the Slovakian 20th seed, Sharapova became the second high-profile player to exit the women's draw in less than 24 hours, after world No.1 Serena Williams was dumped out by Ana Ivanovic at the same venue yesterday.
    Maria Sharapova 022.jpg
  • Maria Sharapova (RUS) has fallen to D. Cibulkova (SVK). Cibulkova has advanced to her first Australian Open quarterfinal in a surprise win over third seed Maria Sharapova 3-6 6-4 6-1 at Rod Laver Arena on Monday.<br />
<br />
In falling to the Slovakian 20th seed, Sharapova became the second high-profile player to exit the women's draw in less than 24 hours, after world No.1 Serena Williams was dumped out by Ana Ivanovic at the same venue yesterday.
    Maria Sharapova 021.jpg
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