AmericanPhotoArchive.com

  • EXPLORE THE AMERICANPHOTOARCHIVE IMAGE COLLECTION
  • About
  • Contact
Show Navigation
Cart Lightbox Client Area

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
Next
{ 706 images found }

Loading ()...

  • Wendell Scott during the filming of the movie "Greased Lightning" based on his NASCAR career. Wendell Oliver Scott (August 29, 1921 – December 23, 1990) was an American stock car racing driver. He was one of the first African-American drivers in NASCAR, and the first African-American to win a race in the Grand National Series, NASCAR's highest level.<br />
<br />
Scott began his racing career in local circuits and attained his NASCAR license in around 1953, making him the first African-American ever to compete in NASCAR. He debuted in the Grand National Series on March 4, 1961, in Spartanburg, South Carolina. On December 1, 1963, despite being considered part of the 1964 season, he won a Grand National Series race at Speedway Park in Jacksonville, Florida, becoming the first black driver to win a race at NASCAR's premier level.[3] Scott's career was repeatedly affected by racial prejudice and problems with top-level NASCAR officials. However, his determined struggle as an underdog won him thousands of white fans and many friends and admirers among his fellow racers. He was posthumously inducted into the NASCAR Hall of Fame in 2015.
    Wendell Scott-10.jpg
  • Wendell Scott during the filming of the movie "Greased Lightning" based on his NASCAR career. Wendell Oliver Scott (August 29, 1921 – December 23, 1990) was an American stock car racing driver. He was one of the first African-American drivers in NASCAR, and the first African-American to win a race in the Grand National Series, NASCAR's highest level.<br />
<br />
Scott began his racing career in local circuits and attained his NASCAR license in around 1953, making him the first African-American ever to compete in NASCAR. He debuted in the Grand National Series on March 4, 1961, in Spartanburg, South Carolina. On December 1, 1963, despite being considered part of the 1964 season, he won a Grand National Series race at Speedway Park in Jacksonville, Florida, becoming the first black driver to win a race at NASCAR's premier level.[3] Scott's career was repeatedly affected by racial prejudice and problems with top-level NASCAR officials. However, his determined struggle as an underdog won him thousands of white fans and many friends and admirers among his fellow racers. He was posthumously inducted into the NASCAR Hall of Fame in 2015.
    Wendell Scott-3.jpg
  • Wendell Scott during the filming of the movie "Greased Lightning" based on his NASCAR career. Wendell Oliver Scott (August 29, 1921 – December 23, 1990) was an American stock car racing driver. He was one of the first African-American drivers in NASCAR, and the first African-American to win a race in the Grand National Series, NASCAR's highest level.<br />
<br />
Scott began his racing career in local circuits and attained his NASCAR license in around 1953, making him the first African-American ever to compete in NASCAR. He debuted in the Grand National Series on March 4, 1961, in Spartanburg, South Carolina. On December 1, 1963, despite being considered part of the 1964 season, he won a Grand National Series race at Speedway Park in Jacksonville, Florida, becoming the first black driver to win a race at NASCAR's premier level.[3] Scott's career was repeatedly affected by racial prejudice and problems with top-level NASCAR officials. However, his determined struggle as an underdog won him thousands of white fans and many friends and admirers among his fellow racers. He was posthumously inducted into the NASCAR Hall of Fame in 2015.
    Wendell Scott-2.jpg
  • Wendell Scott during the filming of the movie "Greased Lightning" based on his NASCAR career. Wendell Oliver Scott (August 29, 1921 – December 23, 1990) was an American stock car racing driver. He was one of the first African-American drivers in NASCAR, and the first African-American to win a race in the Grand National Series, NASCAR's highest level.<br />
<br />
Scott began his racing career in local circuits and attained his NASCAR license in around 1953, making him the first African-American ever to compete in NASCAR. He debuted in the Grand National Series on March 4, 1961, in Spartanburg, South Carolina. On December 1, 1963, despite being considered part of the 1964 season, he won a Grand National Series race at Speedway Park in Jacksonville, Florida, becoming the first black driver to win a race at NASCAR's premier level.[3] Scott's career was repeatedly affected by racial prejudice and problems with top-level NASCAR officials. However, his determined struggle as an underdog won him thousands of white fans and many friends and admirers among his fellow racers. He was posthumously inducted into the NASCAR Hall of Fame in 2015.
    Wendell Scott-7.jpg
  • Wendell Scott during the filming of the movie "Greased Lightning" based on his NASCAR career. Wendell Oliver Scott (August 29, 1921 – December 23, 1990) was an American stock car racing driver. He was one of the first African-American drivers in NASCAR, and the first African-American to win a race in the Grand National Series, NASCAR's highest level.<br />
<br />
Scott began his racing career in local circuits and attained his NASCAR license in around 1953, making him the first African-American ever to compete in NASCAR. He debuted in the Grand National Series on March 4, 1961, in Spartanburg, South Carolina. On December 1, 1963, despite being considered part of the 1964 season, he won a Grand National Series race at Speedway Park in Jacksonville, Florida, becoming the first black driver to win a race at NASCAR's premier level.[3] Scott's career was repeatedly affected by racial prejudice and problems with top-level NASCAR officials. However, his determined struggle as an underdog won him thousands of white fans and many friends and admirers among his fellow racers. He was posthumously inducted into the NASCAR Hall of Fame in 2015.
    Wendell Scott-9.jpg
  • Wendell Scott during the filming of the movie "Greased Lightning" based on his NASCAR career. Wendell Oliver Scott (August 29, 1921 – December 23, 1990) was an American stock car racing driver. He was one of the first African-American drivers in NASCAR, and the first African-American to win a race in the Grand National Series, NASCAR's highest level.<br />
<br />
Scott began his racing career in local circuits and attained his NASCAR license in around 1953, making him the first African-American ever to compete in NASCAR. He debuted in the Grand National Series on March 4, 1961, in Spartanburg, South Carolina. On December 1, 1963, despite being considered part of the 1964 season, he won a Grand National Series race at Speedway Park in Jacksonville, Florida, becoming the first black driver to win a race at NASCAR's premier level.[3] Scott's career was repeatedly affected by racial prejudice and problems with top-level NASCAR officials. However, his determined struggle as an underdog won him thousands of white fans and many friends and admirers among his fellow racers. He was posthumously inducted into the NASCAR Hall of Fame in 2015.
    Wendell Scott-6.jpg
  • Wendell Scott during the filming of the movie "Greased Lightning" based on his NASCAR career. Wendell Oliver Scott (August 29, 1921 – December 23, 1990) was an American stock car racing driver. He was one of the first African-American drivers in NASCAR, and the first African-American to win a race in the Grand National Series, NASCAR's highest level.<br />
<br />
Scott began his racing career in local circuits and attained his NASCAR license in around 1953, making him the first African-American ever to compete in NASCAR. He debuted in the Grand National Series on March 4, 1961, in Spartanburg, South Carolina. On December 1, 1963, despite being considered part of the 1964 season, he won a Grand National Series race at Speedway Park in Jacksonville, Florida, becoming the first black driver to win a race at NASCAR's premier level.[3] Scott's career was repeatedly affected by racial prejudice and problems with top-level NASCAR officials. However, his determined struggle as an underdog won him thousands of white fans and many friends and admirers among his fellow racers. He was posthumously inducted into the NASCAR Hall of Fame in 2015.
    Wendell Scott-5.jpg
  • Wendell Scott during the filming of the movie "Greased Lightning" based on his NASCAR career. Wendell Oliver Scott (August 29, 1921 – December 23, 1990) was an American stock car racing driver. He was one of the first African-American drivers in NASCAR, and the first African-American to win a race in the Grand National Series, NASCAR's highest level.<br />
<br />
Scott began his racing career in local circuits and attained his NASCAR license in around 1953, making him the first African-American ever to compete in NASCAR. He debuted in the Grand National Series on March 4, 1961, in Spartanburg, South Carolina. On December 1, 1963, despite being considered part of the 1964 season, he won a Grand National Series race at Speedway Park in Jacksonville, Florida, becoming the first black driver to win a race at NASCAR's premier level.[3] Scott's career was repeatedly affected by racial prejudice and problems with top-level NASCAR officials. However, his determined struggle as an underdog won him thousands of white fans and many friends and admirers among his fellow racers. He was posthumously inducted into the NASCAR Hall of Fame in 2015.
    Wendell Scott-8.jpg
  • Wendell Scott during the filming of the movie "Greased Lightning" based on his NASCAR career. Wendell Oliver Scott (August 29, 1921 – December 23, 1990) was an American stock car racing driver. He was one of the first African-American drivers in NASCAR, and the first African-American to win a race in the Grand National Series, NASCAR's highest level.<br />
<br />
Scott began his racing career in local circuits and attained his NASCAR license in around 1953, making him the first African-American ever to compete in NASCAR. He debuted in the Grand National Series on March 4, 1961, in Spartanburg, South Carolina. On December 1, 1963, despite being considered part of the 1964 season, he won a Grand National Series race at Speedway Park in Jacksonville, Florida, becoming the first black driver to win a race at NASCAR's premier level.[3] Scott's career was repeatedly affected by racial prejudice and problems with top-level NASCAR officials. However, his determined struggle as an underdog won him thousands of white fans and many friends and admirers among his fellow racers. He was posthumously inducted into the NASCAR Hall of Fame in 2015.
    Wendell Scott-4.jpg
  • Wendell Scott during the filming of the movie "Greased Lightning" based on his NASCAR career. Wendell Oliver Scott (August 29, 1921 – December 23, 1990) was an American stock car racing driver. He was one of the first African-American drivers in NASCAR, and the first African-American to win a race in the Grand National Series, NASCAR's highest level.<br />
<br />
Scott began his racing career in local circuits and attained his NASCAR license in around 1953, making him the first African-American ever to compete in NASCAR. He debuted in the Grand National Series on March 4, 1961, in Spartanburg, South Carolina. On December 1, 1963, despite being considered part of the 1964 season, he won a Grand National Series race at Speedway Park in Jacksonville, Florida, becoming the first black driver to win a race at NASCAR's premier level.[3] Scott's career was repeatedly affected by racial prejudice and problems with top-level NASCAR officials. However, his determined struggle as an underdog won him thousands of white fans and many friends and admirers among his fellow racers. He was posthumously inducted into the NASCAR Hall of Fame in 2015.
    Wendell Scott-1.jpg
  • African American prisoners play music and dance in their Greene County, Georgia jail cell in 1941
    Jack Delano-59.jpg
  • Convicts from the Greene County, Georgia prison camp at the funeral of their warden who was killed in an automobile accident
    Jack Delano-12.jpg
  • Convicts from the Greene County, Georgia prison camp at the funeral of their warden who was killed in an automobile accident
    Jack Delano-4.jpg
  • Convicts from the Greene County, Georgia prison camp at the funeral of their warden who was killed in an automobile accident
    Jack Delano-6.jpg
  • Convicts from the Greene County, Georgia prison camp at the funeral of their warden who was killed in an automobile accident
    Jack Delano-3.jpg
  • President Jimmy Carter and his brother Billy Carter are joined by a tenant farmer as they assess their summer peanut crop. The Carters own tracts of farmland around Plains, Georgia along with a peanut warehouse in that city, although the President's holdings are held in a blind trust during his presidency. - To license this image, click on the shopping cart below -
    Jimmy Carter 0142.tif
  • Malcolm X
    Malcolm X 20.tif
  • Malcolm X
    Malcolm X 12.tif
  • Malcolm X
    Malcolm X 08.tif
  • Malcolm X
    Malcolm X 02.tif
  • Malcolm X
    Malcolm X 01.tif
  • http://hdl.loc.gov/loc.pnp/ppmsca.39872 The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0627.TIF
  • http://hdl.loc.gov/loc.pnp/ppmsca.39864 The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0614.TIF
  • http://hdl.loc.gov/loc.pnp/ppmsca.39862 The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0611.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0601.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0598.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0596.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0592.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0587.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0586.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0584.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0581.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0555.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0542.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0536.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0533.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0529.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0524.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0523.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0502.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0500.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0488.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0480.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0475.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0473.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0471.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0469.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0464.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0458.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0435.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0433.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0432.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0394.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0393.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0379.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0376.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0372.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0369.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0362.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0360.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0359.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0356.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0350.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0337.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0333.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0331.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0326.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0324.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0322.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0321.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0320.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0319.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0316.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0309.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0308.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0307.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0306.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0298.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0295.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0290.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0280.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0278.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0267.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0266.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0265.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0264.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0262.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0259.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0257.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0249.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0234.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0227.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0226.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0223.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0220.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0215.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0211.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0198.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0191.TIF
  • The portraits and landscapes of Edward S. Curtis 1868 - 1952 focus on the Native American Indian tribes of the Pacific Northwest. Photographs by Edward Sheriff Curtis.<br />
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans.This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.<br />
<br />
Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a Crow ('Absaroke') Indian who had received Western education and helped Curtis in accessing and discussing with Indian tribes and understanding their culture.Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States.Hodge was hired to edit the entire series.
    Edward S. Curtis 0175.TIF
Next